Fresh
Squeezed Music
"Over the years," says Odds, "people
have asked me countless times, 'Do you have any recordings
of just your music?' Themes and improvisations on 12-string
guitar. All the compositions on Celtic harp. Piano. Sitar.
Well, I'm working on it."
During 2005-06, in Bodkin's digital download
store, something new will begin to appear.
Just music.
Bodkin's instrumental accompaniments to his tales
carry the emotions of his bardic stories. Soon, simply recorded
in Fresh Squeezed style, downloadable music will make its debut
at oddsbodkin.com.
"Well, there will be sitar," says the
artist. "And suites built around the themes from some
of my larger tales--The Harper and The King, The Hidden Grail,
The Dame Ragnell and others. I'll multitrack some of them here
and there for duo guitar, harp and guitar, synth and guitar,
and other combinations. They'll be long, almost album-length
compositions, with a few song-length ones, too."
What is Fresh Squeezed style?
"Oh, they're informal," says Odds. "Recorded
as I sit on my music couch. The labor of autumn and winter
nights."
Watch Odds' digital download store for this new
set of products!
RIVERTREE
PRODUCTIONS
SIGNS WITH MEDIABAY
MediaBay.com, digital wholesaler to MSN, Sony,
AT&T and other internet music download sites, is preparing
to launch its new children's storytelling area on the web.
They contacted Odds Bodkin and now all his titles,
including The Old Masters cassette recordings, will soon be
available to listeners worldwide.
To learn more, visit MediaBay.com.
Summer
Workshops with Odds Bodkin
Join Odds for a five-hour day of intensive creativity
exploration this summer! Work closely with Odds and
learn the secrets of a master storyteller, up close and personal.
The Door to Imagination: How to Awaken Your
Inner Storyteller includes a complimentary workbook, fascinating instruction and
a day's worth of music on Celtic harp, twelve-string guitars
and other instruments.
Learn how to tell stories in your own words. Great for parents,
teachers, writers, artists, clergy--anyone interested in the
art of storytelling.
Call 1-800-554-1333 to register!
- or -
click here
for a printable registration form
Door to Imagination Workshop Schedule
Summer 2005
Montshire Museum of Science, Norwich, VT
Sunday, June 26th, 10:00 a.m to 3:00 p.m.
$75
Peterborough Public Library, Peterborough, NH
Sunday, July 10th, 10:00 a.m to 3:00 p.m.
$75
Unitarian Church of Concord, Concord, NH
Tuesday, July 12th, 10:00 a.m to 3:00 p.m.
$75
The Harris Center, Hancock, NH
Sunday, July 24th, 10:00 a.m to 3:00 p.m.
$75
Holderness Free Library, Holderness, NH
Friday, July 29th, 10:00 a.m to 3:00 p.m.
$75
HERCULES
PROCESS
PHASE II
Manasquan, NJ--March 11, 2005
Five hundred and thirty-five students from seventeen New Jersey
schools descended on the Algonquin Theater in Manasquan, New
Jersey March 11th to conclude The Hercules Process: A Rage
Awareness Program for Youth.
Graduates of the five-day multidisciplinary school unit, the
students arrived with their teachers--all of whom had been through
teacher training workshops for the Process--and expressed their
thoughts and feelings about the problem of rage, and how to solve
it in their lives.
Having heard Odds Bodkin's 100-minute tale, The
Rage of Hercules in class, they were treated to a live 35-minute excerpt of Hercules by the storyteller himself, onstage at the Algonquin.
Dr. Nefretete Rasheed, co-designer with Bodkin of the Hercules
Process curriculum, then took the stage to talk with the students
to elicit their impressions. Funders, educators, superintendents
of New Jersey schools and others listened intently as students
shared how the Process had given them insight into what rage
was, what triggered anger in their lives, and how to control
it.
Phase II, with rubrics and milestones evaluated by Dr. Rasheed,
is now complete. The Hercules Process, tested and found to have
a significant impact on angry youth, is now poised to become
a nationally available educational product for late elementary,
middle and high schools, as well as at juvenile detention centers
and other organizations working with at-risk populations.
Significantly, Neptune School in New Jersey has decided to
implement The Hercules Process and launch a three-year longitudinal
study on its effectiveness in dealing with youth violence, bullying,
delinquency and other behavioral issues.
Says Bodkin, who joined Dr. Rasheed onstage to talk with the
students himself, "We have created a media product that
uses a story older kids will actually listen to in class and
learn from. With workbooks, query cards, and a host of activities
to choose from, any school in America can use it as a way to
significantly lower the rage thresholds of young people."
The product, co-developed in association with Algonquin Arts
Director Fran Drew, will be available soon, conforming to national
learning standards for use in all fifty states.
BODKIN
PERFORMS
THE ILIAD BOOK I
AT PHILLIPS EXETER ACADEMY
Before a capacity crowd of students, faculty and
members of the public, Odds Bodkin performed his latest tour
de force version of a Greek myth, The Iliad: Book I.
Performing on a Taylor 12-string guitar, Bodkin included characterizations
for Achilles, Agamemnon, Odysseus, Zeus, Hera, Athena, Aphrodite
and many other characters to bring the tale to life.
Bodkin has performed his The Odyssey: Belly
of the Beast often
over the last few years at Phillips Exeter, but this appearance
marked his first performance of The Iliad at the renowned school.
THE
NATIONAL STORYTELLING FESTIVAL
Mark your calendar for October 7th, 8th and 9th
2005 for a journey to Jonesborough, Tennessee and the National
Storytelling Center's National Storytelling Festival. Odds Bodkin
will appear numerous times as a Featured Teller, performing beneath
the big tents.
The Festival, which attracts over 25,000 visitors
each year, is the premier storytelling event in America.
For tickets and reservations, call the National
Storytelling Center at 1(800) 952-8392 or visit online at www.storytellingcenter.net.
THREE
APPLES STORYTELLING FESTIVAL
Another opportunity to see Odds Bodkin live will
arrive September 23rd, 24th and 25th 2005 in Harvard, Massachusetts,
when he will appear for numerous shows at The Three Apples
Storytelling Festival. For information call Joy Clark-LaChapelle at 1 (800)
367-3729 ext. 211.
WHAT
PEOPLE SAY
FALL RETROSPECTIVE
After Odds' 30-performance tour in Michigan this
past October-November, Bryan Zocher, playwright and Associate
Executive at KRESA writes:
"Odds is not simply a storyteller, he is a
medium through which audiences create vivid visual images. Odds'
voice, sound effects, and musical interludes and exclamation
points created multiple layers of meaning and infinite opportunities
for imagination through the telling of cultural folktales with
seemingly simple plots.
Odds does not pander to his audience or merely
entertain. He challenges them to unleash their imagination and
stretch their attention spans through twenty-plus minute tales
for lower elementary students. Students are so taken by the creative
platform that Odds evokes that a child does not even need to
watch him to be under his spell. In fact, Odds invites students
to go with their own "personal motion picture" rather
than sit in rigid attention--eyes straight front, arms at the
side. With this invitation and his mastery of story and song,
students can be seen swaying to their own inner story and painting
pictures in the air as they listen.
Odds' command of his stories and trust in his abilities
allows students to interact with the stories in unique and challenging
ways. One minute the audience can be stomping up a storm and
the next utterly silent simply through Odds' performance of the
story's arc. Odds doesn't need to tell his audience when to start
and stop their interaction; his audience become co-conspirators
and go with the ebb and flow of the plot.
All of the cultural, educational and fiduciary
partners that came together to bring Odds to Kalamazoo are beaming.
We look forward to having him as our honored guest in the near
future."
--Bryan Zocher
------------------------
A 75-minute Odyssey: Belly of the Beast performance
at Woodstock Union High School in Woodstock, Vermont, elicited
this article (excerpted) printed in The Vermont Standard, December
9, 2004, written by Harriet Worrell:
"My now adult children saw the storyteller
perform here in the early years of our taking up residence in
Vermont. They were so enchanted that we bought a pair of tapes
of his ancient tales to listen to in the car as we traveled as
far away as the Badlands or back to Tejas. Some parts of the
stories were so loved they were known by memory. Odds Bodkin
struck the imaginations of my children like a lightning bolt
flung by one of the gods he tells abut in his Homeric epics.
He began his remarkable time with us by talking
about allowing our imaginations to fill out the story. As he
told of the Lotus Eaters and Odysseus being in the belly of the
horse and finally about the battle with the great Cyclops--as
he strummed, plucked, and punctuated with his fingers flying
over the guitar--a seamless story emerged that joined man, passion,
great voices, great language, and heroic stories with running
stringed sounds. Amazing it was. Exciting. Fiery and tender.
From second to second, changing rapidly, he spit out the sounds
of waves and wind and the motion of the intruding gods--and we
were there.
Student after student that I quizzed about their
take on the performance began with the word "Amazing." The
next most common comment was about the many voices he created.
Vicki Garcia was aware of the contrast of his stories that began
with more introspective and personal awareness of the character
of Odysseus before moving on to the high action of the Cyclops
tale.
Colby Hatt and Kevin Gieske both spoke at length
about the work on the guitar. They explained that Bodkin's playing
was nothing short of terrific. Kevin knew that singing and playing
was a good trick, but talking and playing was another thing entirely
different. "Really hard," he described it.
In the cafeteria line, the ladies behind the counter
were talking about the performance, and in the faculty room,
teachers were talking about it. Students in the hall chatted
about one story or the other--they were quite smitten with the
wild escape from the cave of the Cyclops. Madame Hawkes, however,
spoke about the warrior Odysseus in the belly of the Trojan horse
when his thoughts vacillated between the physical tension of
being alert to the imminent danger he and his men were in and
the emotional tension of imagining his son on a faraway ocean's
edge practicing spear hurls into the waves without a father there
to help him. Such was the explosive and tender word performance
given by Mr. Bodkin.
I was watching not from the audience, but from
the stairwell beside the orchestra pit. I could see every breath,
the adjustment of his shoulder, the tap of his foot, the twisted
mouth or clenched jaw for one voice, the perched mouth and soft
lidded eye for the next. With every character and transition
in the narrative there were subtle physical adjustments and tempo
changes. He flipped in and out of voices, characters, and led
us to places we had never been. He spoke of bloody actions, storming
horses, wars, monsters, and men with honor and life. His guitar-loving
fingers matched facial and body tension as a story soared toward
a climax. A beautiful silence would happen while we waited with
awe and anticipation for what would come next. Ah yes, a master
at work. He held us in the pleasant life of his--and our--imaginations
mixing them together with words and sounds and nothing more.
I was watching not from the audience, but from
the stairwell beside the orchestra pit. I could see every breath,
the adjustment of his shoulder, the tap of his foot, the twisted
mouth or clenched jaw for one voice, the perched mouth and soft
lidded eye for the next. With every character and transition
in the narrative there were subtle physical adjustments and tempo
changes. He flipped in and out of voices, characters, and led
us to places we had never been. He spoke of bloody actions, storming
horses, wars, monsters, and men with honor and life. His guitar-loving
fingers matched facial and body tension as a story soared toward
a climax. A beautiful silence would happen while we waited with
awe and anticipation for what would come next. Ah yes, a master
at work. He held us in the pleasant life of his--and our--imaginations
mixing them together with words and sounds and nothing more.
--Harriet Worrell
YOUNG
AND VIOLENT
This January, Odds returns to Stanislaus County
Juvenile Hall in Modesto, California for a repeat performance
of The Rage of Hercules. Last January, for the first time ever,
all inmates, girls and boys, were allowed into the same room
to listen (see Odds' Blog/Juvenile Hall). This year, Kathy Walke,
Superintendent, intends to include even maximum security inmates
in the experience.
Odds plans to leave a copy of The Hercules
Process: A Rage Awareness Program for Youth, at the facility for follow-up
learning. The kit, complete with a full-length CD set, Query
Cards and Teacher Guidebook, provides a self-examination into
anger and strategies to control it.